István Rácz

Marianna Gula

Csilla Bertha

Mária Kurdi

Rosa González

Rosa González Casademont is Senior Lecturer in Irish literature and cinema at the University of Barcelona, Spain. She has worked in the field of contemporary British and Irish fiction, popular culture, and Irish cinema. She is editor of the electronic journal Estudios Irlandeses (°2005), The Representation of Ireland/s. Images from Outside and from Within (Barcelona: P.P.U., 2003) and Hailing HeaneyLectures for a Nineties Nobel (Barcelona: P.P.U., 1996),  co-author of Ireland in Writing.

Pilar Villar Argáiz

Pilar Villar Argáiz is a Senior Lecturer of British and Irish Literature in the Department of English Philology at the University of Granada. She is the author of the books Eavan Boland’s Evolution as an Irish Woman Poet: An Outsider within an Outsider’s Culture (The Edwin Mellen Press, 2007) and The Poetry of Eavan Boland: A Postcolonial Reading (Academica Press, 2008). She has published extensively on contemporary Irish poetry, and the theoretical background and application of feminism and postcolonialism to the study of Irish poetry, fiction and cinema.

David Clark

Tudor Balinisteanu

Tudor Balinisteanu obtained his PhD from the University of Glasgow, UK, and is currently a Senior Research Fellow in English Literature at University of Suceava, Romania. He published two monographs on W. B. Yeats and James Joyce, Violence, Narrative and Myth in Joyce and Yeats: Subjective Identity and Anarcho-Syndicalist Traditions (Palgrave, 2013), and Religion and Aesthetic Experience in Joyce and Yeats (Palgrave, 2015).

Rodica Albu

Enrico Reggiani

Enrico Reggiani is Associate Professor of English Language and Literature at the Faculty of Linguistic Sciences and Foreign Literatures of the Catholic University of the Sacred Heart in Milan. He has published widely on W. B. Yeats. His 2010 book on The compl(i)mentary dream, perhaps. Saggi su William Butler Yeats has been considered “as a point of arrival in the history of the reception of Yeats in Italy. The parabola has reached its highest point" (F. Fantaccini, in Jochum ed.,The Reception of Yeats in Europe, 2013, 2nd ed., p.

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